We love it when Tuesday Serial contributors talk about their creative process and how they came to write serial fiction and we hope you do too. We are pleased to welcome Daedalus Howell to Tuesday Serial this week for a terrific guest post that discusses that and more. He is kicking off our fall series of monthly guest posts. We still have room in the schedule, so if you’re interested in writing a guest post, let us know. Welcome Daedalus!
The revolution will be serialized. As it’s always been. Much of episodic entertainment, from our favorite shows on Netflix or premium cable to the summertime superhero blockbusters, are issued in discrete elements that comprise a whole story. Comic books have long functioned in this manner, ditto popular literature, which was once serialized in newspapers. Now, serialization is back, representing to some, a vanguard in publishing. It can also be an integral part of your creative process.
This is what I’ve found creating Quantum Deadline, a sci-fi crime romp that comically explores the death of newspapers through the foggy lens of a reporter tripping through the multiverse. Like many authors, my project found its first iteration as a National Novel Writing Month novel — last November, I arranged 50,000+ English words in a manner that produced the general effect of a novel. Despite the fact that the result was an unholy (if occasionally inspired) mess, I remained committed to seeing it through the bitter end of a Kindle download.
I put it in the proverbial drawer through the winter to cool and found when I exhumed it the following spring, I was ready to rewrite it. That said, there is no “National Rewriting Your Novel Month” and I loathed the notion of working alone sans the esprit de corps I’d experienced with NaNoWriMo.
I tried. I failed. I had no sense of accountability or “ticking clock” to compel me back to the work. Not that I was enthralled with the prospects I perceived in the book, it’s just that, as a career-long newspaper columnist, I’d grown accustomed to a weekly deadline. And someone to enforce it. With a speculative, self-generated project like Quantum Deadline, there was neither a deadline nor an irate editor to make me deliver. That’s when I began to contemplate serialization. I needed to feel accountable and I needed a schedule — two aspects of serialization that I theretofore hadn’t realized were possibilities.
Moreover, I suspected serialization would allow me to “course correct” if I found that my readers were losing interest or recognize possibilities in the work that I hadn’t. I think of it as akin to The Lean Startup concept of creating a “minimum viable product” that allows for pivots between plot points.
“The fundamental activity of a startup is to turn ideas into products, measure how customers respond, and then learn whether to pivot or persevere,” writes Eric Reis, The Lean Startup’s main advocate and author of a popular business tome of the same name.
If we replace the term “startup” with the word “writing” the path to serialization becomes self-evident. Instead of hunkering down, alone in the back of a Starbucks, the premise of releasing iterations of your work while refining it allows you the opportunity to grow and create community around it in the meantime.
The trick is to be responsive to the concerns of your readership rather than defensive. You’re creating a feedback loop, not a combat zone. You don’t need to completely alter the vision of your paranormal YA romance when your readership is flagging, nagging or otherwise bagging on your work. However, you do have the opportunity to make adjustments in the next installment (and retroactively as well — serial readers a very forgiving, I find, so long as you point to relevant changes that improve their enjoyment of the work).
Likewise, authors are advised to read Austin Kleon’s excellent book Show Your Work!, which extols the virtues of sharing your creative process as a means of cultivating an audience. Much in the same way film studios invite entertainment reporters on set to drum up interest in a film prior to its release, Kleon suggests sharing your process and inspirations as you create. This notion also dovetails nicely with “rewriting in public” through serialization.
Writing a serial not only creates both context and momentum for one’s creative output, it cultivates community with your work as its rallying point. Chapter by chapter, week by week, you steer us deeper into your creative world — a world we may not have seen were it not for the revolutionary resurgence of the serial. As Gil Scott-Heron said, “The revolution will put you in the driver seat.”
Daedalus Howell blogs at DHowell.com. His serial, Quantum Deadline is presently at Wattpad. He tweets @daedalushowell.
Have you gotten much feedback?
And have you asked for it directly?
I have a small but loyal number of wonderful people who read Pride's Children every week, as I put up a new scene every Tuesday. But I give them my absolutely most polished work, and, while I get comments, Likes!, and some occasional emails, I never get much in the way of feedback, and only once or twice in a year and a half of episodes have I even gotten a plot suggestion.
What I do is not a true serial, like a soap opera, which can pivot quickly if the star dies; instead, I'm serializing a novel, by putting it out there one piece at a time.
I'm curious how other people work.